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SHE HAS A BROTHER, THE SUN, AND A SISTER, THE MOON. SHE HAS HAD MANY MEN AND HAS 4 SONS: THE WINDS FROM NORTH, SOUTH, EAST AND WEST. HER SYMBOL IS A CHARIOT.
AS THE REBIRTH OF THE ROMAN GODDESS EVERY MORNING, AURORA VASES ARE THE RE-INTERPRETATION OF ONE OF TABLEAU’S FIRST DESIGN, THE GS I,1 VASES.
THE AURORA BOREALIS, OR NORTHERN LIGHTS, OFFER AN FASCINATING, DRAMATIC AND MAGICAL DISPLAY — THEY ILLUMINATE THE POLEWARD HORIZON AS A GREENISH GLOW, OR SOMETIMES A FAINT RED, AS IF THE SUN WAS RISING FROM ANUNUSUAL DIRECTION. AURORAS ARE THE RESULT OF DISTURBANCES IN THE MAGNETOSPHERE CAUSED BY SOLAR WIND. THESE DISTURBANCES ARE SOMETIMES STRONG ENOUGH TO ALTER THE TRAJECTORIES OF CHARGED PARTICLES IN BOTH SOLAR WIND AND MAGNETOSPHERIC PLASMA. THESE PARTICLES MAINLY ELECTRONS AND PROTONS, PRECIPITATE INTO THE UPPER ATMOSPHERE. THE RESULTING IONIZATION AND EXCITATION OF ATMOSPHERIC CONSTITUENTS EMIT LIGHT OF VARYING COLOR AND COMPLEXITY.
ANCIENT GREEK POETS USED THE NAME AURORA METAPHORICALLY TO REFER TO DAWN, OFTEN MENTIONING ITS PLAY OF COLOURS ACROSS THE OTHERWISE DARK SKY. THE FLOWERS IN THE VASES BLOSSOM IN THE MORNING AS THE GODDESS RENEWS HERSELF.
THE AURORA VASES COME IN THE SAME COLOURS AS THE AURORA BOREALIS CELESTIAL SCENE. THE VASES ARE DIVIDED IN TWO STAINLESS STEEL PIECES OF TWO DIFFERENT COLOURS: THE VASE’S BASE TOPPED WITH A GRID
THE AURORA SERIES CONSISTS OF 3 VASES OF DIFFERENT SIZES, THE VASES ARE PAINTED WITH A MOTHER OF PEARL COATING AND THE TOP GRIDS COME IN 3 DIFFERENT POWDER LACQUERING COLOURS.
