IN HIS PRACTICE, RASMUS HØJFELDT WORKS WITH A THEME THAT MOVES IN AND OUT OF TIME AND PERISHABILITY. HE FOCUSES ON MATERIALS AND PUTTING A PERMANENT MARK ON THESE MATERIALS AND TIME. HIS WORK DISPLAY TRACES AND MARKS THAT SHOW A PERPETUAL ACTION.

THE FIVE WORKS 'YELLOW CYLINDER' DEAL WITH PUTTING YET ANOTHER PERMANENT MARK ON SOMETHING THAT IS ALREADY MAN-MADE, DISPOSED OF AND SHOULD HAVE VANISHED. THE CYLINDERS ARE BENT FROM PAINTED SCRAP STEEL PLATES, BOLTED TOGETHER AND EMBOSSED WITH ANGLE GRINDER DRAWINGS IN THE PAINT ARE THE ARTIST'S OWN PERMANENT MARK. THE WORK AS A PLANT CONTAINER, AND THEREBY CONTAINING SOMETHING LIVING, IS ABOUT THE CONTRAST BETWEEN THE MAN-MADE AND PERMANENT AND THE NATURALLY DEGRADABLE.